I've already started processing some films I took after spending a few weeks on holidays in Brazil. I used a few cameras and as usual the Holga pictures came out with some weird results, this shot in particular got my attention... I really like the way the buildings are "bending" at the top left corner.
Fuji Across 100 ISO Processed with Rodinal 1:100 1Hour Stand Development.
Monday, 11 October 2010
Tuesday, 7 September 2010
Hand - Coloured Photographs - Johnson's Baby Oil Test
I'm running low of the original oil that came together with my old Lakeland Fotocol kit so I decided to do some tests using another type of oil and on the photograph below I used the "Johnson's Baby Oil", which can be easily found in any supermarket or drugstores.
After rubbing a bit of the product onto the paper's surface I felt it was quite easy to apply the pencils, and the colour effect given is exactly the same as when using the original oil. The only thing It has to be considered for the next time is not to soak too much the surface as this particular oil is thinner.
Looking closer to this photograph you can also see the oil marks that penetrated on the paper, I'm not really concerned about that since I had the same problems before using the original oil, I believe this is more a paper issue rather than the liquid applied but for sure I'll be doing some more tests.
Thursday, 19 August 2010
Magic Lantern / Petzval Lens
More results using the Magic Lantern lens, this time I decided using 4x5 negatives instead of roll film. I still haven't figured out a way of using this lens outdoors due to the fact that there's no shutter or F stops to control the amount of light.
I guess I could use waterhouse stops to do that but it could take the whole effect away, another option would be adding ND filters in combination with a very slow film. A friend at filmwasters also suggested me the Harman direct positive paper which is ISO 3 and I guess that could work...
For these indoor shots the exposure time were between 4 and 6 seconds. The film is Ilford Delta 100 ISO 4x5 and processed with Rodinal 1:100 dilution, one hour stand development.
Tuesday, 1 June 2010
Magic Lantern / Petzval Lens
I’ve recently acquired a couple of 19th Century Magic Lantern lenses and I was really looking forward to do this test.
Magic Lanterns were the predecessors of slide projectors and the page below it's a great source of information:
http://www.magiclantern.org.uk/events/events4.html
The results came out slightly darker than I wanted, the exposure time was about 1 and 2 seconds and considering I'm using 100 ISO and a lens cap as a shutter it's not that bad. It will definitely improve when I buy a 25 ISO and with a 4x5 negative I'll also be able to see more of the lens effect, they're known for giving a sharp image in the midle and quite a lot distortions around the edges.
I mounted one of the lens in a piece of cardboard and put in my 4x5 Toyo camera. For this particular test I was trying to get the exposure time correct as most of Magic Lantern lens haven’t got an aperture setting to control the light.
A bit of resource and I found out that the focal length is 195mm and the aperture is about 4.5, for this reason a low speed film (25 ISO) it’s definitely something to consider.
I used 100 ISO roll film (because I couldn’t wait until I get some 4x5 25 ISO!). This is a cheaper alternative but I won’t be able to see the lens effect in full, but since I’m more interesting in the exposure times for now it’s fine.
The film is Fuji Across 100 and I processed in Rodinal 1:100 solution.
The results came out slightly darker than I wanted, the exposure time was about 1 and 2 seconds and considering I'm using 100 ISO and a lens cap as a shutter it's not that bad. It will definitely improve when I buy a 25 ISO and with a 4x5 negative I'll also be able to see more of the lens effect, they're known for giving a sharp image in the midle and quite a lot distortions around the edges.
Monday, 10 May 2010
Hand - Coloured Photographs
Another trip to my local antique market and I found some more old photographs to add some colours.
Not all of them were matt and my colour pencils does not work on glossy paper, but there were so many interesting ones that I ended buying them anyway... after few hours I manage doing these ones:
I had this happened again... the oil used before I apply the pencils penetrated in the paper and left these awful marks.
I can't really do anything with this picture below since it has a glossy finish, the reason I bought it's because it looks so similar to the Echo & the Bunnymen's record cover "Flowers".
I've looked on the sleeve notes and it's written "Original cover photograph courtesy of the State Historical Society of Wisconsin".
Friday, 16 April 2010
Tuesday, 13 April 2010
Voigtlander Vito II
Just playing with a different technique for scanning 35mm negatives that a friend recommended at the filmwasters.com
As you may be aware it's a bit tricky to get decent images when scanning 35mm negs using flatbed film scanners as the results can be very grainy.
I got some negatives out of the box for this test and I found these which I thought it was perfect to try since I had no previous success. They were taken using one of my favourite 35mm cameras, the Voigtlander Vito II.
Sunday, 21 March 2010
Voigtlander Avus
This gorgeous German made camera was produced between 1913 to 1934, this particular model was designed to take 6.5x9 glass plates but can also be used with film as well, all you have to do is find a roll film back to use the 120 format or, with a bit of patience you can “glue” some sheet film in some kind of board to fit in the dark slides.
This one came with the four original Voigtlander darkslides, I bought some extra four on ebay to start playing until I can get hold of the roll back which can be tricky to find.
To start I cut few pieces of cardboards on the size of the plates and then glued the sheet film on the board with a bit of honey, which seems to be the preferred method by some folks I spoke to. The film I used was the German Wephota 100 ISO, the size is a bit smaller than I thought and I had a quite hard time in the dark to place the film correctly onto the board, I tried hard to leave as symmetrical as possible but some of the pictures were not in level so I had to adjust in Photoshop.
The film was processed with Rodinal 1:100 solution one hour stand development, the results are quite good but the processing were not even, probably because I had to pre-soak the film in water in order to get rid of the honey… I don’t know. The negatives were scanned and only curves and levels were adjusted, I tried keeping as original as possible.
For those who are used to large format photography will be familiar with the camera's movement. You can focus through the glass window at the back just like any other large format camera or with the scale placed at the front. There’s also a viewfinder at the top of the lens and a spirit level.
To start I cut few pieces of cardboards on the size of the plates and then glued the sheet film on the board with a bit of honey, which seems to be the preferred method by some folks I spoke to. The film I used was the German Wephota 100 ISO, the size is a bit smaller than I thought and I had a quite hard time in the dark to place the film correctly onto the board, I tried hard to leave as symmetrical as possible but some of the pictures were not in level so I had to adjust in Photoshop.
The film was processed with Rodinal 1:100 solution one hour stand development, the results are quite good but the processing were not even, probably because I had to pre-soak the film in water in order to get rid of the honey… I don’t know. The negatives were scanned and only curves and levels were adjusted, I tried keeping as original as possible.
For those who are used to large format photography will be familiar with the camera's movement. You can focus through the glass window at the back just like any other large format camera or with the scale placed at the front. There’s also a viewfinder at the top of the lens and a spirit level.
Monday, 22 February 2010
1960 Kodak Royal-X Pan
My first post in more than a month and the results aren’t what I expected but I thought I’d share just in case.
Not long ago I bought this Kodak Royal-X Pan 1600 ISO film and this weekend I decided to use it. The film was expired in march 1960 and I thought the occasion asked for an old camera as well so I loaded into my 1930's Kodak Brownie n2 Box camera.
After spending a good few cold hours in Brick Lane I finally got my much precious 8 shots with the camera, got home and processed the film. The results aren’t great at all, to start I guess the film wasn’t stored properly, it broke few pieces while loading on the spiral. It was also badly exposed as I couldn't control the shutter speed on this type of camera making hard to compensate.
The film was processed with Rodinal 1:100 at 15 degrees 20 minutes developing time with very slow inversions every minute. Maybe I bit more developing time would work out but since the film was ISO 1600 I was afraid to overexpose. In the end this is what I've got:
click over the picture to enlarge
Subscribe to:
Posts (Atom)

















































